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Archive for 'July 2016'

    Academy of Art instructors chosen as Small Plates book artists for 2016

    Three long time instructors from the Academy’s Fine Art department, specializing in Book Arts and Letterpress, were invited by the San Francisco Center for the Book to produce artist’s books for the Center’s Small Plates imprint. Macy Chadwick, Jennie Hinchcliff, and Bettina Pauly were chosen by a panel of board members, teachers, and community members on the strength of their proposals to create the small-scale books, in an edition size of 100.

    The books were released at a party on June 10, at the Center for the Book, in San Francisco’s Potrero Hill neighborhood. At the well-attended opening, each artist spoke about her process, from conceptualization to production. In addition to the books themselves, tools and proofs from that process were on display.

    Macy Chadwick, a letterpress and book arts instructor at AAU since 2003, created a book called Input/Output. Chadwick says, “This is a book about the creative process. As artists, we gather information, text and ideas as fuel for making art. How does creative input transform into artistic output?” Her book is comprised of several folded sheets, which open up to reveal a complete image. In describing the process of designing and creating the book, Chadwick said, “Conceptually, I followed my usual mode of working—bouncing back and forth between structure, text, and idea in developing the book as a cohesive whole.” She did her printing at SFCB, rather than in her own studio, which presented both benefits and challenges. “It helped me focus on this specific project, and also gave me access to volunteers and equipment. But, I found that there was the added challenge of designing and producing the book in a public space.”

    Proclomatie is the book by Jennie Hinchcliff, who has been teaching book arts at the Academy since 2007. Her book is an homage to the early 20th century Dutch artist H.N. Werkman, using text from his 1932 manifesto on art making, and employing many of the same techniques as Werkman himself – including spontaneous design decisions, hand stamping, and printing on an iron handpress. Hinchcliff found the 4x4” size to be comfortable: “small, personal, a book that the reader can hold in their hands and connect with.” The edition size was larger than anything she had ever worked with, though. “Planning out the logistics for 75 books (and then making each book happen) was a new experience for me,” she said.

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    Artist Interview : Meisha Grichuhin

    Meisha_Grichuhin

    Meisha Grichuhin show California Calling is at 625 Sutter Gallery

    Artist Reception: Thursday, July 7th, 5:30 - 7:30pm

    Prior to Meisha's opening we interviewed her about her carear.

    Did you have any rewarding experiences or interactions with teachers while you studied at the Academy?

    I feel very lucky to have had such wonderful instructors at the Academy. Some stand out for their teaching ability, some for their advice, and some for their processes. Paul Kratter, Tomutsu Takishima, and Kevin Moore are all memorable instructors for me, but the teacher who has influenced me the most is definitely Craig Nelson. The first class I took with Craig was Wildlife Painting. 

     

     

     

    I was worried that since I had no experience in landscape painting, I wouldn’t get as much out of the class. Craig helped me so much in one semester! I really understood his way of teaching and explaining things- and his style is similar to what I wanted to achieve in my own work. I took as many classes as I could with him after that.

    Are you having any upcoming group or individual shows that you would like to share with us?

    Yes! I have a solo show with the Academy at 625 Gallery (625 Sutter) for the month of July. The show opens on July 2nd, and the reception is July 7th from 5:30 to 7:30pm. Stop on by! I’ll have roughly 20 pieces on display. I also have two pieces included in the 59th Juried Exhibition at the Haggin Museum in Stockton, which opens the same night, and will be on display until mid-September.

    Another group show that I’m participating in for the second year in a row is Sanchez Art Center’s 50/50 Show in Pacifica. This is a really fun show where each artist creates 50 6”x6” artworks in 50 days to a theme of their choosing. It’s challenging but also rewarding to create so much in a short period of time. It’s fascinating to see everyone’s efforts through their different themes and styles. The reception will be in August, and the show up through September.

    All of the information for my exhibitions, as well as contact information can be found on my website: www.meishagrichuhin.com.

    The Grandeur 20"x20" oil on canvas

    The Grandeur 20"x20" oil on canvas

    What subjects are you drawn to?

    I am particularly drawn to landscape painting. I love being outdoors and find the beauty of nature immeasurably pleasing. Studying and sharing my natural surroundings through my work is my passion. To me, there is nothing more relaxing and grounding than spending time outdoors in a beautiful setting- whether it’s mountains, ocean, pasture, or my own backyard. My other favorite subject is animals, which really goes hand in hand with landscape.

    What was the hardest lesson you learned?

    Don’t be afraid to start! Get some paint on the canvas and be bold. You can always refine from there. The more you paint, the more you learn. I often think about a quote Craig Nelson uses: “It’s only a mistake if you leave it.” This frees you up to paint without worrying that everything has to be perfect from the start.

     

    What advice would you give to students?

    Paint! Paint more! Work hard and pay attention. All the demos and advice your teachers give you are invaluable. Absorb them and, even if you can’t do it at the moment, all those words of wisdom are there for you to pull from when you need them.