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A broad stroke of the harmoniously colorful students, faculty, and events of the Fine Art Department at the Academy of Art University. Find out more about Art in the Bay area, what goes on at 60 Federal, and our extended family of students and faculty throughout the world.

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Archive for '2016'

    2016 Fine Art Auction

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    Preview
    November 10–11
    10 a.m.–6 p.m.

    Reception & Live Auction
    Saturday, November 12, 2016
    2 p.m. - Reception begins
    3 p.m. - Live auction begins

    Silent Auction
    Ends approximately 30 minutes after close of live auction

    Where
    AAU Galleries at The Cannery
    2801 Leavenworth St
    San Francisco, CA 94133

     

     

     

     

    Benefitting Academy of Art University's Student Scholarship Fund.


    Mason Mansung Kang featured in Sedona Art Prize Artist Spotlight

    Contributed by Gateway To Sedona on 07 Sept.2016

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    Painter Mason Mansung Kang Follows His Passion Full Time After Retirement from Petroleum Industry

    Sedona, AZ:  Artist Mason Kang spent the better part of his life working in the petroleum, oil and gas industry, during which time painting was more of a hobby than a career. But at age 61, after he retired in 2012, his hobby became his prime focus and passion, and his accomplishments over the last few years are nothing short of brilliant. Mason is currently competing at the Sedona Art Prize


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    Mason Mansung Kang was born in the Republic of Korea (South Korea). He obtained a BS Degree in Chemistry Education from Seoul National University in 1975. Mason worked for the petroleum, oil and gas construction industries until he retired in 2012 after 35 years of service. Learning to paint has been his dream since childhood. He was finally able to pursue painting full time after retirement and began studying at the Academy of Art University obtaining his Masters Degree in Fine Arts in August 2016.

    Mason specializes in scenes of nature utilizing what he describes as “harmonious light and shadows.” In 2015, he joined the Fine Art Study Abroad program and traveled to Florence, Italy. During that time, he gained

    considerable experience with plein air (outdoor, from life) painting. He recently won the 1st, 3rd, and the ‘Body of Work’ prize under the MFA Landscape/Cityscape Category in the 2016 Spring Show at the Academy of Art University, primarily due to his painting “On the Hill.”  In June/July 2016, he won the Best Landscape Award in the 6th Plein Air Salon, was selected as the ‘Winner Emerging Artist’ of the Artmuse Contest in 2016, and was also selected as the Painter for the Online Gallery, Leisure Painter Magazine, in August 2016. Mason is now represented by the Bill Hester Fine Arts gallery located in Santa Fe, New Mexico.

    Mason comments: “After retirement from 35 years of service in the petroleum business, at the age of 61, I decided to pursue my long-time dream to paint. As a Christian, I feel the awe and wonder of the Divine Providence to see every corner of this world. I think the world we live in is truly a beautiful place. Every natural entity is different and unique and this diversity makes the world beautiful. To share this beauty is the goal of my efforts. I have just begun to experience this in my own work and want to develop my ability to paint beyond what I simply observe from life. I want to show the exact feelings that I have while I'm on site.”


    Mason hopes that his works can ultimately present viewers with a sublime sense of warmth, happiness, and contentment. You can find more of his beautiful paintings at MasonMansungKang.com


    Artists' Oil Colour Demo by Winsor & Newton

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    Academy of Art instructors chosen as Small Plates book artists for 2016

    Three long time instructors from the Academy’s Fine Art department, specializing in Book Arts and Letterpress, were invited by the San Francisco Center for the Book to produce artist’s books for the Center’s Small Plates imprint. Macy Chadwick, Jennie Hinchcliff, and Bettina Pauly were chosen by a panel of board members, teachers, and community members on the strength of their proposals to create the small-scale books, in an edition size of 100.

    The books were released at a party on June 10, at the Center for the Book, in San Francisco’s Potrero Hill neighborhood. At the well-attended opening, each artist spoke about her process, from conceptualization to production. In addition to the books themselves, tools and proofs from that process were on display.

    Macy Chadwick, a letterpress and book arts instructor at AAU since 2003, created a book called Input/Output. Chadwick says, “This is a book about the creative process. As artists, we gather information, text and ideas as fuel for making art. How does creative input transform into artistic output?” Her book is comprised of several folded sheets, which open up to reveal a complete image. In describing the process of designing and creating the book, Chadwick said, “Conceptually, I followed my usual mode of working—bouncing back and forth between structure, text, and idea in developing the book as a cohesive whole.” She did her printing at SFCB, rather than in her own studio, which presented both benefits and challenges. “It helped me focus on this specific project, and also gave me access to volunteers and equipment. But, I found that there was the added challenge of designing and producing the book in a public space.”

    Proclomatie is the book by Jennie Hinchcliff, who has been teaching book arts at the Academy since 2007. Her book is an homage to the early 20th century Dutch artist H.N. Werkman, using text from his 1932 manifesto on art making, and employing many of the same techniques as Werkman himself – including spontaneous design decisions, hand stamping, and printing on an iron handpress. Hinchcliff found the 4x4” size to be comfortable: “small, personal, a book that the reader can hold in their hands and connect with.” The edition size was larger than anything she had ever worked with, though. “Planning out the logistics for 75 books (and then making each book happen) was a new experience for me,” she said.

    Read More »

    Artist Interview : Meisha Grichuhin

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    Meisha Grichuhin show California Calling is at 625 Sutter Gallery

    Artist Reception: Thursday, July 7th, 5:30 - 7:30pm

    Prior to Meisha's opening we interviewed her about her carear.

    Did you have any rewarding experiences or interactions with teachers while you studied at the Academy?

    I feel very lucky to have had such wonderful instructors at the Academy. Some stand out for their teaching ability, some for their advice, and some for their processes. Paul Kratter, Tomutsu Takishima, and Kevin Moore are all memorable instructors for me, but the teacher who has influenced me the most is definitely Craig Nelson. The first class I took with Craig was Wildlife Painting. 

     

     

     

    I was worried that since I had no experience in landscape painting, I wouldn’t get as much out of the class. Craig helped me so much in one semester! I really understood his way of teaching and explaining things- and his style is similar to what I wanted to achieve in my own work. I took as many classes as I could with him after that.

    Are you having any upcoming group or individual shows that you would like to share with us?

    Yes! I have a solo show with the Academy at 625 Gallery (625 Sutter) for the month of July. The show opens on July 2nd, and the reception is July 7th from 5:30 to 7:30pm. Stop on by! I’ll have roughly 20 pieces on display. I also have two pieces included in the 59th Juried Exhibition at the Haggin Museum in Stockton, which opens the same night, and will be on display until mid-September.

    Another group show that I’m participating in for the second year in a row is Sanchez Art Center’s 50/50 Show in Pacifica. This is a really fun show where each artist creates 50 6”x6” artworks in 50 days to a theme of their choosing. It’s challenging but also rewarding to create so much in a short period of time. It’s fascinating to see everyone’s efforts through their different themes and styles. The reception will be in August, and the show up through September.

    All of the information for my exhibitions, as well as contact information can be found on my website: www.meishagrichuhin.com.

    The Grandeur 20"x20" oil on canvas

    The Grandeur 20"x20" oil on canvas

    What subjects are you drawn to?

    I am particularly drawn to landscape painting. I love being outdoors and find the beauty of nature immeasurably pleasing. Studying and sharing my natural surroundings through my work is my passion. To me, there is nothing more relaxing and grounding than spending time outdoors in a beautiful setting- whether it’s mountains, ocean, pasture, or my own backyard. My other favorite subject is animals, which really goes hand in hand with landscape.

    What was the hardest lesson you learned?

    Don’t be afraid to start! Get some paint on the canvas and be bold. You can always refine from there. The more you paint, the more you learn. I often think about a quote Craig Nelson uses: “It’s only a mistake if you leave it.” This frees you up to paint without worrying that everything has to be perfect from the start.

     

    What advice would you give to students?

    Paint! Paint more! Work hard and pay attention. All the demos and advice your teachers give you are invaluable. Absorb them and, even if you can’t do it at the moment, all those words of wisdom are there for you to pull from when you need them. 

     

     


    Fine Art Painting / Printmaking student Nina Wright

    Public Projects, Gallery Exhibitions, and HBO Documentary    

     

    Nina Wright, Fine Art Painting/ Printmaking student, is working on a wide variety of public works projects.  Nina’s signature graphic style can be seen applied to both her fine art pieces and in the public works projects popping up all over the Bay Area.  Recent gallery exhibits feature Nina’s mixed media screen print on panel works at such venues as: Know Gallery, LeQue Vive, Temescal Gallery, and Naming Gallery in Oakland. Recent public works projects include commissions from the city of Oakland for the art on utility boxes project, a commission from the Mission Street Public Life Plan as a featured artist in Art on Muni, and murals with the Clarion Alley Mural Project and a mural for the Temescal Gallery.  Look for more of Nina’s work in the 2015 documentary produced by HBO, San Francisco 2.0


    Artist Talk: Carrie Ann Plank

    Meet Bay Area artist Carrie Ann Plank on Sunday, March 20 and learn about her recent residency!

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    Sunday, March 20, 2-3pm

    Join Carrie Ann Plank as she talks about her recent residency at Bullseye Resource Center Bay Area. She'll touch on the learning curve of working with glass for the first time, the inspirations for her prints, and the process of translating imagery into glass.

    This event is free and open to the public. Space is limited—RSVP required.

    About the Artist

    Carrie Ann Plank’s work is included in public collections including the Fine Art Archives of the Library of Congress, the Guanlan Print Art Museum in China, and the Iraq National Library in Baghdad. Recent shows include American representation at the International Print Art Triennial in Sophia, Bulgaria, the Liu Haisu Museum of Fine Art in Shanghai, China, and the Guangzhou Academy of Fine Arts Museum in Guangzhou, China. 

    She is the director of the printmaking MFA & BFA Programs at the Academy of Art University and is a board member of the California Society of Printmakers. 

    Bullseye Resource Center Bay Area
    4514 Hollis Street
    Emeryville, CA 94608
    (Map this location)

    510.595.1318
    bayarea@bullseyeglass.com
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