Entries filed under 'Events'
Meet Bay Area artist Carrie Ann Plank on Sunday, March 20 and learn about her recent residency!
Sunday, March 20, 2-3pm
Join Carrie Ann Plank as she talks about her recent residency at Bullseye Resource Center Bay Area. She'll touch on the learning curve of working with glass for the first time, the inspirations for her prints, and the process of translating imagery into glass.
This event is free and open to the public. Space is limited—RSVP required.
About the Artist
Carrie Ann Plank’s work is included in public collections including the Fine Art Archives of the Library of Congress, the Guanlan Print Art Museum in China, and the Iraq National Library in Baghdad. Recent shows include American representation at the International Print Art Triennial in Sophia, Bulgaria, the Liu Haisu Museum of Fine Art in Shanghai, China, and the Guangzhou Academy of Fine Arts Museum in Guangzhou, China.
She is the director of the printmaking MFA & BFA Programs at the Academy of Art University and is a board member of the California Society of Printmakers.
Article by Chris Rolik
On Monday April 13th The Book Club of California hosted their annual Student Showcase and Pop-Up Exhibition featuring Bay Area Book Arts students from SFAI, Mills College, City College of San Francisco, and the Academy of Art University. Participating Academy students in this year’s event were Grad student Yishu Wang and Undergrad Keisha Mrotek, both Printmaking majors.
Students were asked to each present a formal five-minute PowerPoint slide show representing an overview of their current work.
Each student was also given table space to set up a display of their bookworks and related art. The students were able to chat informally with guests and show their work both before and after their presentations.
The work shown was varied and fascinating. Among the works AAU students displayed were Keisha Mrotek’s politically satirical “Humiliate Them”, a mix-and-match card game based on the Dadaist “Exquisite Corpse”, images separated into segments that can be rearranged to create new, absurd combinations; and Yishu Wang’s
“L’Isle Joyeaux”, an approximately 6-foot-long accordion book structure comprised of her series of complex, multi-layered screenprinted images inspired by the musical composition of the same name. Our Academy students gave stellar presentations.
by Carrie Ann Plank, Director of Fine Art- Printmaking MFA & BFA
Paul Mullowney of Crown Point Press and Mullowney Printing came to the Fine Art Department for a lecture and workshop on to demonstrate traditional Japanese chine-collé techniques and refined approaches for intaglio printing. Mullowney lived in Japan for an extended period and is considered a master at eastern chine-collé techniques. In the informative workshop, he discussed conservation issues relating to adhesives, eastern paper properties, and he demonstrated proper approaches to chine-collé. Students were also given a tutorial on Mullowney’s master printer approach to wiping plates to achieve the richest image. Mullowney also gave a lecture on the exciting array of projects executed at Mullowney Printing including examples by well-known contemporary artists such as Sandow Birk.
Students were given the opportunity to ask questions and receive feedback on their own printmaking projects.
Come to San Francisco for Expo '15
Admission is Free!
Campus Housing is only $375 for the week/8 nights
Meet Your Program Directors: Learn More About Your Program & Get Expert Advice
Get Involved: Benefit from Hands-On Workshops, Field Trips, and Live Demonstrations
Network: Connect with faculty, alumni, and other students
When: Saturday, June 20 -- Sunday, June 28, 2015
Where: Academy of Art University, San Francisco
Who: Students who are taking all of their classes Online
For more information, please contact Melinda Mettler @ email@example.com
By Carol A. Nunnelly
On April 10, 2015, Tenderloin merchants, community leaders and Academy of Art University students gathered to celebrate the installation of a collection of mural panels depicting the history of the neighborhood. The 13 vibrant murals on a PG&E substation at the corner of Eddy and Larkin in San Francisco were created under the direction of School of Fine Art Executive Director Craig Nelson with full-time faculty member Carol Nunnelly. These striking works serve to brighten the corner and bring new visual interest to the building.
Stabilizing the area and halting the spread of crime was a goal of this project. It emerged from a class called Mural Painting, offered both online and on campus during spring and fall semesters. The class gives students an opportunity to learn the business side of mural production and how to paint large-scale works, teaching real-world skills and preparing students for careers as artists
Nelson says he started the class with the idea that students can benefit from working on projects that teach them how to produce art for a living. “It’s a chance for the students to collaborate and learn how to budget time and expenses,” he says. “We partner with a client who covers all expenses. We paint a mural during a 15-week semester, and manage time constraints to meet deadlines.”
by Dennis Peterson. Printmaking Faculty/Printmaking Studio Manager
Coming off the heels of last year’s Southern Graphics Conference International hosted by the Academy of Art University, printmaking and graphic design students ventured to Knoxville, Tennessee, the sight of this year’s annual event.
“SGCI was a really great opportunity to meet other printmakers, see what's being produced in the community, and learn new techniques,” states Jen Wright, undergraduate Printmaking Major in the Fine Art Department.
“Between demos, lectures, and gallery shows there's so much happening that it can be overwhelming, but in the best way because it's something I love. In essence, SGCI is like ComiCon for printmakers,” says Wright.
Several printmaking students were able to attend this year’s conference thanks in part to their hard work at last years S.F. event. A letterpress and bookmaking project at last year’s event, entitled SPAN, was the brainchild of printmaking and book arts